ART IN QUARANTINE
An exhibition of artwork that was produced to maintain normalcy, find new ways to stay busy, make sense of crisis and process stress and grief during COVID-19.
Sixty-four artworks were submitted to the “Art in Quarantine” exhibition by 35 artists including many paintings, drawings, prints and photographs, as well as sculptures, ceramics and digital media. Submissions were primarily from regional artists, but some came from as far away as New Hampshire and Montana! Five finalists were selected by our panel of jurors. Awards for these finalists were selected by popular vote on Facebook between August 2 - 7.
We are pleased to announce the winners of Art in Quarantine:
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Best of Show - $500 cash prize - Agnes Turman, Water Birds
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1st Place award - $150 Richeson Art Supplies Gift Certificate - George Kassal, Path in the Woods
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2nd Place award - $125 Richeson Art Supplies Gift Certificate - Connie Kassal, Faith, Hope and Charity
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3rd Place award - $100 Richeson Art Supplies Gift Certificate - Margi Hafer, Captive Summer
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Honorable Mention - $50 Glenn L. Firme & Associates Gift Certificate - Jesse Johnson, Sacred Creation A Wake Up Call For Peace
Thanks to all who made art and submitted, our judges for reviewing and lending expertise, our donors and supporters, our volunteers for organizing, and to our audience for voting. This was a collaborative process!
At the beginning of quarantine I watched a crane feeding at the waters edge out my back window. I was taken by his awkward grace. As if he was a ballet dancer. This moved me to begin sculpting Water Birds.
Since the quarantine began, my photo excursions have been limited to walking the dog in our neighborhood and making short trips to sparsely visited, nearby parks. This photo was taken during one of these visits to a favorite location, Bluhm County Park. The path reminds me of the position we find ourselves in, these days. Unsure of where the trail is leading, confined on all sides. and nothing to do but endure and persist.
The first part of pandemic experience was too filled with too many distracting unknown dangers and changes for me to create artwork. Loss of in person contact with fellow artist and writer friends made me feel isolated, and I grieved for the absence of extended family. The news was filled with fear, anger, but also compassion. I eventually returned to drawing human forms, despite being isolated. Three classic female faces emerged in this glass piece. “Faith”, on the left, Is startled by a church and choir setting being the location of the initial spread of the virus. How will faith find a way? “Hope“, in the middle, never gives up, but is getting a little concerned. “Charity”, on the right, looks for ways to help from her isolated location at home.
Entangled, yet separate, we struggle to survive. We strive to be free and return to what we thought was normal, but now there is a new normal and we are caught-up in a stagnant fear of death.
We seemed to be scaling back to a time of uncertainty with race wars going on and systematic racism during this pandemic nightmare. I wanted the viewer to see what I see, to see what African Americans see with the constant threat of violence within our own communities. Black on black crime helps to stimulate these polar attitudes from the constant struggles plagued by our government, white supremacy and systematic racism. This oil painting, "Sacred Creations, A Wake Up Call For Peace," is uniquely put together to allow the viewer to gravitate to the beauty and joy of Africans at play in the water minding their own business when suddenly life as we know it is interrupted.The mannequin is used to inform these manufactures that this representation of a woman is disrespectful and tragic that they would have no head on the mannequin, which to me symbolizes no brain and as if this thing is the perfect woman. I used it to say to them this is my canvas I do not see anything else by painting over it, I reject it's use the way it is intended. Every woman is perfect to her liking. This has so many levels and layers with meaning that I also leave it to interpretation for the viewers.